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  • Topophrenia : Place, Narrative, and the Spatial Imagination
    Topophrenia : Place, Narrative, and the Spatial Imagination

    What is our place in the world, and how do we inhabit, understand, and represent this place to others?Topophrenia gathers essays by Robert Tally that explore the relationship between space, place, and mapping, on the one hand, and literary criticism, history, and theory on the other.The book provides an introduction to spatial literary studies, exploring in detail the theory and practice of geocriticism, literary cartography, and the spatial humanities more generally.The spatial anxiety of disorientation and the need to know one's location, even if only subconsciously, is a deeply felt and shared human experience.Building on Yi Fu Tuan's "topophilia" (or love of place), Tally instead considers the notion of "topophrenia" as a simultaneous sense of place-consciousness coupled with a feeling of disorder, anxiety, and "dis-ease." He argues that no effective geography could be complete without also incorporating an awareness of the lonely, loathsome, or frightening spaces that condition our understanding of that space.Tally considers the tension between the objective ordering of a space and the subjective ways in which narrative worlds are constructed.Narrative maps present a way of understanding that seems realistic but is completely figurative.So how can these maps be used to not only understand the real world but also to put up an alternative vision of what that world might otherwise be?From Tolkien to Cervantes, Borges to More, Topophrenia provides a clear and compelling explanation of how geocriticism, the spatial humanities, and literary cartography help us to narrate, represent, and understand our place in a constantly changing world.

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  • Imagination!
    Imagination!


    Price: 17.49 £ | Shipping*: 3.99 £
  • Imagination (Wonder & Imagination) Unlined Hardcover Journal
    Imagination (Wonder & Imagination) Unlined Hardcover Journal

    The boundless dreams of childhood are within reach in the enchanting works of Victor Nizovtsev, such as the painting reproduced on our Imagination journal cover.The artist’s stated hope is that his paintings “will give people a small taste of their childhood and will inspire their own stories.”

    Price: 18.99 £ | Shipping*: 3.99 £
  • educational hidden building block puzzle toys spatial thinking imagination ability training
    educational hidden building block puzzle toys spatial thinking imagination ability training

    educational hidden building block puzzle toys spatial thinking imagination ability training

    Price: 2.31 £ | Shipping*: 1.99 £
  • Do Muslims have better spatial imagination?

    There is no scientific evidence to suggest that Muslims have better spatial imagination compared to people of other faiths or beliefs. Spatial imagination is a cognitive ability that varies among individuals regardless of their religious background. Factors such as genetics, upbringing, education, and life experiences play a significant role in determining an individual's spatial imagination skills. It is important to avoid making generalizations or assumptions about a group of people based on their religion.

  • Which profession requires a good spatial imagination?

    A profession that requires a good spatial imagination is architecture. Architects need to be able to visualize and manipulate three-dimensional spaces in their minds in order to design buildings and structures. They must be able to understand how different elements will fit together in physical space and how people will move through and interact with the spaces they create. A strong spatial imagination is essential for creating innovative and functional architectural designs.

  • Do Muslims have a better spatial imagination?

    There is no evidence to suggest that Muslims have a better spatial imagination than people of other faiths or backgrounds. Spatial imagination is a cognitive ability that varies among individuals regardless of their religious beliefs. Factors such as education, experience, and genetics play a role in determining an individual's spatial imagination skills. It is important to avoid making generalizations or assumptions about a group of people based on their religion.

  • Can missing spatial vision be compensated for by spatial imagination?

    While spatial imagination can help individuals navigate and understand their surroundings to some extent, it may not fully compensate for missing spatial vision. Spatial imagination relies on mental imagery and memory, which may not always accurately represent the physical environment. Missing spatial vision can impact an individual's ability to perceive depth, distance, and obstacles in their surroundings, which may not be fully compensated for by imagination alone. However, individuals can develop strategies and adaptive skills to enhance their spatial awareness and compensate for their visual impairment to some degree.

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  • Storytelling for Spatial Computing and Mixed Reality : The Art of Augmenting Imagination
    Storytelling for Spatial Computing and Mixed Reality : The Art of Augmenting Imagination

    This is a clear, accessible manual of storytelling techniques and learning activities for spatial computing, augmented reality and mixed reality.It covers the key skills that the next generation of digital storytellers will need, providing readers with practical tools for creating digital stories and adventures out in the real world. Drawing on more than a decade of experience, veteran immersive storyteller Rob Morgan provides strategies and techniques for augmenting players and places with digital narrative.Readers will try out key ideas through a range of practical exercises, building up their own portfolio of augmented/spatial narrative projects. Storytelling for Spatial Computing and Mixed Reality provides insight on everything from narrative pacing to conditional and emergent storytelling for augmented/spatial technology.Each chapter addresses key questions about the affordances - and ethics - of augmenting players' realities, helping students and practitioners explore this new storytelling frontier. This book will be invaluable to students of game design, experience design and interactive narrative.It provides theories, best practices and case studies also relevant to creative professionals in games, XR, immersive theatre, theme parks and brand experience.

    Price: 44.99 £ | Shipping*: 0.00 £
  • Explaining Imagination
    Explaining Imagination

    This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence.It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Imagination will remain a mystery--we will not be able to explain imagination--until we can break it into parts we already understand.Explaining Imagination is a guidebook for doing just that, where the parts are other ordinary mental states like beliefs, desires, judgments, and decisions.In different combinations and contexts, these states constitute cases of imagining.This reductive approach to imagination is at direct odds with the current orthodoxy, according to which imagination is a sui generis mental state or process—one with its own inscrutable principles of operation.Explaining Imagination upends that view, showing how, on closer inspection, the imaginings at work in hypothetical reasoning, pretense, the enjoyment of fiction, and creativity are reducible to other familiar mental states—judgments, beliefs, desires, and decisions among them.Crisscrossing contemporary philosophy of mind, cognitive science, and aesthetics, Explaining Imagination argues that a clearer understanding of imagination is already well within reach.

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  • The Imagination
    The Imagination

    ‘No matter how long I may look at an image, I shall never find anything in it but what I put there.It is in this fact that we find the distinction between an image and a perception.' - Jean-Paul SartreL’Imagination was published in 1936 when Jean-Paul Sartre was thirty years old.Long out of print, this is the first English translation in many years.The Imagination is Sartre’s first full philosophical work, presenting some of the basic arguments concerning phenomenology, consciousness and intentionality that were to later appear in his master works and be so influential in the course of twentieth-century philosophy. Sartre begins by criticising philosophical theories of the imagination, particularly those of Descartes, Leibniz and Hume, before establishing his central thesis.Imagination does not involve the perception of ‘mental images’ in any literal sense, Sartre argues, yet reveals some of the fundamental capacities of consciousness.He then reviews psychological theories of the imagination, including a fascinating discussion of the work of Henri Bergson.Sartre argues that the ‘classical conception’ is fundamentally flawed because it begins by conceiving of the imagination as being like perception and then seeks, in vain, to re-establish the difference between the two.Sartre concludes with an important chapter on Husserl’s theory of the imagination which, despite sharing the flaws of earlier approaches, signals a new phenomenological way forward in understanding the imagination. The Imagination is essential reading for anyone interested in the philosophy of Jean-Paul Sartre, phenomenology, and the history of twentieth-century philosophy. This new translation includes a helpful historical and philosophical introduction by Kenneth Williford and David Rudrauf.Also included is Maurice Merleau-Ponty’s important review of L’Imagination upon its publication in French in 1936. Translated by Kenneth Williford and David Rudrauf.

    Price: 25.99 £ | Shipping*: 3.99 £
  • Criminological Imagination
    Criminological Imagination

    For the last three decades Jock Young's work has had a profound impact on criminology.In this provocative new book, Young rejects much of what criminology has become, criticizing the rigid determinism and rampant positivism that dominate the discipline today.His erudite and entertaining examination of what's gone wrong with criminology draws on a range of research - from urban ethnography to sexology and criminal victimization studies - to illustrate its failings. Young makes a passionate case for a return to criminology's creative and critical potential, partly informed by the new developments in cultural criminology.A late-modern counterpart to C. Wright Mills' classic The Sociological Imagination, this inspirational piece of writing from one of the most brilliant voices in contemporary criminology will command widespread attention.The concluding part of the author's trilogy of influential texts including The Vertigo of Late Modernity and The Exclusive Society, it will be essential reading for anyone who cares about the future of criminology, and the social sciences more generally.

    Price: 18.99 £ | Shipping*: 3.99 £
  • Can the lack of spatial vision be compensated for by spatial imagination?

    Yes, the lack of spatial vision can be compensated for by spatial imagination. People who are blind or have low vision often develop strong spatial imagination skills to navigate and understand their surroundings. They can use auditory cues, tactile feedback, and mental mapping to create a spatial understanding of their environment. Additionally, technology such as 3D printing and virtual reality can also help individuals with visual impairments to visualize and understand spatial concepts. Overall, while spatial imagination cannot fully replace spatial vision, it can certainly help compensate for its absence.

  • In which profession is a good spatial imagination necessary?

    A good spatial imagination is necessary in professions such as architecture, interior design, and urban planning. These professions require individuals to visualize and conceptualize three-dimensional spaces, understand how objects and structures fit together in a given space, and anticipate how people will interact with the environment. Having a strong spatial imagination is essential for creating functional and aesthetically pleasing designs in these fields.

  • In which profession is a good spatial imagination required?

    A good spatial imagination is required in professions such as architecture, interior design, and urban planning. These professions involve visualizing and creating physical spaces, so having a strong spatial imagination is essential for conceptualizing designs and layouts. Being able to mentally manipulate and visualize three-dimensional spaces is crucial for success in these fields.

  • What does it mean when someone lacks spatial imagination?

    When someone lacks spatial imagination, it means they have difficulty visualizing or mentally manipulating objects or spaces in their mind. This can make it challenging for them to understand concepts related to size, shape, distance, and orientation. People who lack spatial imagination may struggle with tasks such as reading maps, following directions, or visualizing how objects fit together in a three-dimensional space. Developing strategies to improve spatial reasoning skills can help individuals enhance their spatial imagination abilities.

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