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Spatial Imaginaries in Mid-Tang China : Geography, Cartography, and Literature
This book is in the Cambria Sinophone World Series, headed by Victor Mair (University of Pennsylvania).This book explores a new and innovative topic—the relationship between geographical advancements in the Mid-Tang period (790s to 820s) and spatial imaginaries in contemporaneous literature. Historically and politically, the Mid-Tang period is generally considered to be a period of imperial reconstruction following the chaos of the An Lushan Rebellion (755–763), a rebellion that had a profound impact not only on the Tang empire but also on all of Chinese history. On the one hand, this era witnessed a heightened geographical awareness and a rapid development and accumulation of geographical knowledge, as was manifested in the governmental production of local map-guides and the invention of some monumental world maps. On the other hand, Mid-Tang literature represents one of the peaks of traditional Chinese literature and is known for its diversity of genres and innovative and imaginative engagement with space.For the first time in Tang scholarship, this study identifies the epistemological and aesthetic interplay between geography and literature in medieval China and investigates how this thus-far neglected interplay shaped the Mid-Tang literary imagination. This interdisciplinary investigation uncovers a rich cultural history of human exploration of the world on both fronts and provides a fresh reading of some of the most famous works of Tang literature, for example Li He’s poetry and Liu Zongyuan’s landscape essays. This study reveals some unique phenomena in genre development and individual creation in Mid-Tang literature and deepens our understanding of the inner workings and internal drive of traditional Chinese literature in general.This book expands and deepens the exploration of the interactions between literature and geography. Literary geography has been an active interdisciplinary field ever since the 1970s. In the early years as the field was taking shape, it was widely criticized for its instrumentalization of literary texts as unproblematic sources for empirical geographical study. In recent years, however, literary scholars have become increasingly interested in treating literary texts as another form of geography, or spatial organization, as many key literary elements, such as setting and milieu in fiction and imagery arrangement in poetry, involve spatial understanding on a fundamental level.This study takes two important approaches regarding the ongoing debates in the field of literary geography. Inasmuch as traditional Chinese intellectual culture prioritized broad learning over specialization, disciplinary boundaries were unclear and literati were often multitalented. Accordingly, in the cases examined in this book, these literary masters were also cartographers, geographical writers, or at least experienced readers of geographical works. Therefore, the study’s approach does not treat either literature or geography as instrumental to the other, but rather examines how these two interrelated fields formed a shared intellectual horizon among the literati and found entrance to each other to create new knowledge, perspectives, and metaphors. This study also does not regard literature as a metaphorical geography in a generalized sense, but is specifically focused on how the geographic proficiency of literary authors informed their literature. Together, these two approaches suggest new possibilities of interdisciplinary exchange and offer a new perspective on the results of such exchanges as embodied in literary creation.Spatial Imaginaries in Mid-Tang China will be a welcome resource for scholars and students in Chinese literature, historical geography, cultural history, and art history.
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Literary Journeys : Mapping Fictional Travels across the World of Literature
A beautifully illustrated guide to over seventy-five important journeys in world literature, spanning more than thirty countries and twenty-five hundred yearsFrom Homer’s Odyssey, Chaucer’s Canterbury Tales, and Cervantes’s Don Quixote to Melville’s Moby-Dick, Kerouac’s On the Road, and Chimamanda Ngozi Adichie’s Americanah, some of the most powerful works of fiction center on a journey.Extending to the ends of the earth and spanning from ancient Greece to today, Literary Journeys is an enthralling book that takes you on a voyage of discovery through some of the most important journeys in literature.In original essays, an international team of literary critics, scholars, and other writers explore exciting, dangerous, tragic, and uplifting journeys in more than seventy-five classic and popular works of fiction from around the world.Chronologically arranged and gorgeously illustrated throughout with paintings, engravings, photographs, and maps in full color, this captivating book will appeal to readers who have travelled widely, who are planning a trip, or who love armchair travel. Contributors include Robert McCrum, Susan Shillinglaw, Maya Jaggi, Robert Holden, Suzanne Conklin Akbari, Alan Taylor, Michael Bourne, Sarah Mesle—and dozens more.
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Bulgarian Literature as World Literature
Bulgarian Literature as World Literature examines key aspects and manifestations of 20th- and 21st-century Bulgarian literature by way of the global literary landscape.The first volume to bring together in English the perspectives of prominent writers, translators, and scholars of Bulgarian literature and culture, this long-overdue collection identifies correlations between national and world aesthetic ideologies and literary traditions. It situates Bulgarian literature within an array of contexts and foregrounds a complex interplay of changing internal and external forces.These forces shaped not only the first collaborative efforts at the turn of the 20th century to insert Bulgarian literature into the world’s literary repository but also the work of contemporary Bulgarian diaspora authors.Mapping histories, geographies, economies, and genetics, the contributors assess the magnitudes and directions of such forces in order to articulate how a distinctly national, "minor" literature--produced for internal use and nearly invisible globally until the last decade--transforms into world literature today.
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Afropolitan Literature as World Literature
African literature has never been more visible than it is today.Whereas Chinua Achebe, Wole Soyinka, and Ngugi wa Thiong’o defined a golden generation of African writers in the 20th century, a new generation of “Afropolitan” writers including Chimamanda Adichie, Teju Cole, Taiye Selasi, and NoViolet Bulawayo have taken the world by storm by snatching up prestigious awards and selling millions of copies of their works.But what is the new, increasingly fashionable and marketable, Afropolitan vision of Africa’s place in the world that they offer?How does it differ from that of previous generations?Why do some dissent? Afropolitanism refuses to reinforce images of Africa in world media as merely poor, war-torn, diseased, and constantly falling into chaos.By complicating the image of Africa as a hapless victim, Afropolitanism focuses on the wide-ranging influence Africa has on the world.However, some have characterized this kind of writing as light, populist fare that panders to Western audiences. Afropolitan Literature as World Literature examines the controversy surrounding Afropolitan literature in light of the unprecedented circulation of culture made possible by globalization, and ultimately argues for expanding its geographic and temporal boundaries.
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What is spatial visualization ability?
Spatial visualization ability refers to the capacity to mentally manipulate and comprehend spatial relationships between objects. Individuals with strong spatial visualization skills can easily visualize and understand how objects relate to each other in space, such as rotating or manipulating shapes in their mind. This ability is crucial in various fields such as engineering, architecture, and mathematics, as it allows individuals to solve complex problems and understand spatial concepts more effectively. Improving spatial visualization ability can enhance problem-solving skills and overall cognitive performance.
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Is Russian literature better than German literature?
As an AI language model, I don't have personal opinions. The quality of literature is subjective and depends on individual preferences. Both Russian and German literature have produced influential and impactful works that have made significant contributions to world literature. Russian literature is known for its depth of psychological insight and emotional intensity, while German literature is celebrated for its philosophical and intellectual depth. Ultimately, the value of literature is in the eye of the beholder.
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Is spatial visualization important for engineers?
Yes, spatial visualization is important for engineers as it allows them to mentally manipulate and understand complex 3D objects and structures. Engineers often need to design and analyze various components and systems, and spatial visualization skills help them to conceptualize and communicate their ideas effectively. Whether it's designing a new product, creating blueprints for a building, or solving complex problems, spatial visualization is a crucial skill that allows engineers to think critically and innovate in their field.
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Is rubble literature the same as post-war literature?
Rubble literature and post-war literature are closely related but not exactly the same. Rubble literature specifically refers to the literary works produced in the immediate aftermath of World War II, often focusing on the physical and emotional devastation caused by the war. Post-war literature, on the other hand, encompasses a broader range of literary works that address the effects of war on society, culture, and individuals in the years following the conflict. While rubble literature is a subset of post-war literature, the latter includes a wider scope of themes and time periods beyond the immediate aftermath of war.
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Turkish Literature as World Literature
Essays covering a broad range of genres and ranging from the late Ottoman era to contemporary literature open the debate on the place of Turkish literature in the globalized literary world.Explorations of the multilingual cosmopolitanism of the Ottoman literary scene are complemented by examples of cross-generational intertextual encounters.The renowned poet Nâzim Hikmet is studied from a variety of angles, while contemporary and popular writers such as Orhan Pamuk and Elif Safak are contextualized.Turkish Literature as World Literature not only fills a significant lacuna in world literary studies but also draws a composite historical, political, and cultural portrait of Turkey in its relations with the broader world.
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Mexican Literature as World Literature
Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-AuthorChapter 15 by Carolyn Fornoff is Winner of the 2022 Best Article in the Humanities Award, Latin American Studies Association, MexicoMexican Literature as World Literature is a landmark collection that, for the first time, studies the major interventions of Mexican literature of all genres in world literary circuits from the 16th century forward.This collection features a range of essays in dialogue with major theorists and critics of the concept of world literature.Authors show how the arrival of Spanish conquerors and priests, the work of enlightenment naturalists, the rise of Mexican academies, the culture of the Mexican Revolution, and Mexican neoliberalism have played major roles in the formation of world literary structures.The book features major scholars in Mexican literary studies engaging in the ways in which modernism, counterculture, and extinction have been essential to Mexico’s world literary pursuit, as well as studies of the work of some of Mexico’s most important authors: Sor Juana, Carlos Fuentes, Octavio Paz, and Juan Rulfo, among others.These essays expand and enrich the understanding of Mexican literature as world literature, showing the many significant ways in which Mexico has been a center for world literary circuits.
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On Literature
Remarkably accessible and unfailingly stimulating, this collection of essays exhibits the diversity of interests and the depth of knowledge that made Umberto Eco one of the world's leading writers.From musings on Ptolemy and reflections on the experimental writing of Borges and Joyce, to revelations of his own authorial ambitions and fears, Eco's luminous intelligence is on display throughout.This volume will appeal to anyone interested in how new light is shed on old masters by a great contemporary mind.
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Childish Literature
How do we write about the singular experience of parenthood?Written in a ‘state of attachment’, or ‘under the influence’ of fatherhood, Childish Literature is an eclectic guide for novice parents, showing how the birth and growth of a child changes not only the present and the future, but also reshapes our perceptions of the past.Shifting from moving dispatches from his son’s first year of existence, to a treatise on ‘football sadness’, to a psychedelic narrative where a man tries, mid-magic mushroom trip, to re-learn the subtle art of crawling, this latest work from Alejandro Zambra shows how children shield adults from despondency, self-absorption and the tyrannies of chronological time.At once a chronicle of fatherhood, a letter to a child and a work of fiction, Childish Literature is the latest, virtuosic addition to the oeuvre of one of the most exciting Latin American writers in recent decades.
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Is 20th-century literature the same as modern literature?
While 20th-century literature is a part of modern literature, they are not exactly the same. Modern literature encompasses literary works from the late 19th century to the present day, including 20th-century literature. However, 20th-century literature specifically refers to literary works produced between 1900 and 1999. Both periods share some common themes and styles, but they also have distinct characteristics that set them apart.
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Can one improve their spatial visualization skills?
Yes, it is possible to improve spatial visualization skills through practice and training. Engaging in activities such as puzzles, building models, and playing spatial reasoning games can help develop these skills. Additionally, practicing mental rotation exercises and regularly challenging oneself with spatial tasks can also contribute to improvement. With consistent effort and dedication, individuals can enhance their spatial visualization abilities over time.
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What are problems with spatial visualization skills?
Some problems with spatial visualization skills include difficulty in understanding and interpreting maps, graphs, and diagrams. Individuals with poor spatial visualization skills may struggle with tasks such as navigating through unfamiliar environments, understanding 3D objects, and mentally rotating objects. This can impact their performance in subjects such as math, science, and engineering, as well as in everyday activities such as driving and assembling furniture. Additionally, poor spatial visualization skills can lead to frustration and decreased confidence in one's abilities.
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Literature or music?
It ultimately depends on personal preference and what one finds more fulfilling. Literature can transport readers to different worlds, evoke emotions, and provoke thought through words and storytelling. On the other hand, music has the power to evoke emotions, create connections, and express feelings through melody and lyrics. Both forms of art have the ability to inspire, entertain, and provide a means of self-expression.
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